
Tisamon’s jaw was now set, with a certain look in his eyes that Arianna realized was fear. ‘And this… thing?’ he rasped harshly.
‘The heart of the ritual. The very core of the Darakyon. And now it has been stolen,’ Achaeos confirmed.
‘And the Darakyon wishes it…?’
‘Unclaimed. The Darakyon was happiest when it lay here, unknown and unsuspected, unused, surrounded by indomitable walls of disbelief, but now it is out in the world again.’ He looked from the Mantis to Arianna. ‘I do not need to dissemble or blur my words with you. You both know the power that magic can wield. This thing, and I cannot think otherwise, is the most potent relic to survive the Days of Lore, the greatest magic left in the world – and it is dark. You have seen the Darakyon, Tisamon, so you know what I speak of. In the hands of any who knew how to awaken it, its potential for harm would be unthinkable.’
‘Truly?’ Arianna asked. ‘I’ve encountered magicians, and… they aren’t the people our legends tell of: I’ve seen Manipuli turning people’s opinions, tricks with dice, an image you think you see, that isn’t there when next you look. And then some Beetle comes along and tells you it’s all mass hysteria and done with mirrors. And now you’re saying… well, in this day and age, I’m not sure I can see any great magic come to return us to the Days of Lore.’
‘The Days of Lore are gone,’ Achaeos agreed. ‘But to unleash the power contained within this – a box just so big, slightly too large to grip easily with one hand – would change the world. Your Beetles and the rest would not know it for magic, but it would touch and taint them: it would spread darkness in minds and hearts, breed madness, sour friendships and poison loves. And whoever made use of it would be, I’d wager, no more able to control it than its original creators.’
‘And some Spider-kinden now has it,’ Tisamon added, ‘who could be anywhere.’
‘Do you have so little faith in a seer’s powers?’ Achaeos asked him mildly. ‘I know who has it, because I have met with her before. I feel her echo here in this room.’
