‘E se tutto cio non bastasse…’ she murmured under her breath.

Yes, indeed. As if all this were not enough, Corinna Nunziatella was beginning to suspect that she was falling in love.

She was not left long to brood on these incidental problems, for within a few minutes the phone rang, summoning her to the director’s office for a ‘progress report’. Corinna hastily grabbed an impressive-looking dossier of papers, some of which were actually related to her current cases, checked that her appearance was at once professional and uninviting, and proceeded up to the fifth floor.

The arrival of Sergio Tondo, the recently appointed director of the AntiMafia pool, had proved a source of much mirth to his subordinates, since in appearance he resembled the classic, slightly racist stereotype of the typical mafioso: short, broad, sallow and intense, with a moustache of which he was excessively proud, black voided eyes, and an air of undefined but potentially threatening distinction. The punchline of the joke was that, far from being Sicilian, or even a southerner, Tondo — originally, no doubt, Tondeau — was in fact a native of the Valle d’Aosta, the French-speaking mountain region in the extreme north-west corner of the country, well over a thousand kilometres from Catania as the crow flew, had there been any crows ambitious enough to attempt such a trip.

As though to confirm the initial impression he had created, Sergio Tondo seemed to go out of his way to act as well as look like a caricature Sicilian, to the extent of having made explicit sexual advances to all the female magistrates on his team. Corinna Nunziatella had already been obliged to remove one or other of his hands from her hip, her knee, her shoulder and just below her left breast, and to do so in such a way as to make it seem that she hadn’t really been aware that it had been there in the first place.

It was a delicate operation, calling for exquisite timing, adroitness and tact.