"Especially if you're alive to enjoy it."

"Ain't that the truth," he said.

Fall leaves crackled beneath our shoes as we rounded the west wing. The front door was level with the patio, and I noted the peephole. It stared at me like a tiny empty eye. Marino flicked a cigarette butt, sent it sailing into the grass, then dug in a pocket of his powder-blue trousers. His jacket was off, his big belly hanging over his belt, his short-sleeved white shirt open at the neck and wrinkled around his shoulder holster.

He produced a key attached to a yellow evidence tag, and as I watched him open the dead-bolt lock I was startled anew by the size of his hands. Tan and tough, they reminded me of baseball mitts. He would never have made a musician or a dentist. Somewhere in his early fifties, with thinning gray hair and a face as shopworn as his suits, he was still formidable enough to give most people pause. Big cops like him rarely get in fights. The street punks take one look and sit on their bravado.

We stood in a rectangle of sunlight inside the foyer and worked on pairs of gloves. The house smelled stale and dusty, the way houses smell when they have been shut up for a while. Though the Richmond police department's Identification Unit, or ID, had thoroughly processed the scene, nothing had been moved. Marino had assured me the house would look exactly as it had when Beryl's body was found two nights earlier. He shut the door and flipped on a light.

"As you can see," his voice echoed, "she had to have let the guy in. No sign of forcible entry, and the joint's got a triple A burglar alarm."

He directed my attention to the panel of buttons by the door, adding, "Deactivated at the moment. But it was in working order when we got here, screaming bloody murder, which is why we found her so fast to begin with."