
“It would be best if you don’t consult the other witnesses,” a voice said.
A female officer had fought through the shouting, texting, Twittering chaos to appear at my side.
Under the club lights, I could see her face, narrow, with pronounced cheekbones, and lank black hair cut so short the ends only just appeared below her cap rim. I read her badge: E. Milkova. E. Milkova didn’t look much older than my cousin, too young to be a cop, too young to be telling me what to do. But-she had the badge. I let her guide me to the small stage at the back of the club, which the police had roped off with crime scene tape so they could use it for interrogations. She lifted the tape so I could crawl under, then dragged a couple of chairs from the nearest table. I reached a hand out and took one of them from her.
I was in that numb place you inhabit after you’ve been part of violence and death. It was hard to focus on Milkova’s questions. I gave her my name. I told her I’d heard gunshots and run to see what the problem was. I told her I didn’t know the dead woman.
“But you knew her name,” Milkova said.
“That was just from hearing someone call her ‘Nadia.’ I don’t know her last name.”
“Most people run away from gunshots.”
I didn’t say anything.
“You ran toward them.”
I still didn’t say anything, and she frowned at me. “Why?”
“Why, which?” I said.
“Why did you run toward danger?”
When I was younger and more insouciant, I would have quoted the great Philip Marlowe and said, “Trouble is my business,” but tonight I was cold and apprehensive. “I don’t know.”
