Ten to seven. The screw was punctual.

The cell door opened wide. Jochum grabbed his carrier bag, spat on the floor and walked out.

All he had to do now was change into the tight clothes he had just tried on, collect the release money, a pitiful three hundred kronor, and the one-way train ticket, tell the screw to go to hell as the gate slowly swung open, and walk out, bag in hand, giving the finger to the guard at the security camera. And turn sharp right, to the nearest stretch of wall, open his flies and piss against the concrete greyness.

The wind was blowing outside.

At the far end of the ground floor of the police headquarters, the dawn chorus was competing with Siw Malmkvist. As ever. Ewert Grens had served in the force for thirty-three years and had an office of his own for thirty. His cassette player, a present for his thirtieth birthday, had been around for almost as long. It was one of those large, lumpy things which combine a mono speaker and a tape deck. Every time he moved office he would carry it himself, cradled in his arms. Ewert only played Siw Malmkvist. A home-made rack held his collection of all her recordings, Siw’s entire repertoire, in different orders on different tapes.

This morning it was ‘Tunna skivor’ (1960), the Swedish version of ‘Everybody’s Somebody’s Fool’. He was always the first one in and turned the sound up as high as he liked. The odd bod might complain about the noise, but as long as he acted the sour old bugger they let him be, on the whole, left him to it. He kept life at bay behind his closed door, buried in his investigations while Siw belted out Sixties pop.

His mind was still caught up in yesterday. It had been good to see Anni in her crisply ironed dress, her hair neatly combed. She had looked at him more often than usual, almost made contact. As if, for a few moments, he was more than just a stranger sitting beside her and holding her hand.