The man stumbled crossing the room, and Polchik’s needler tracked him. Behind him he heard the robot softly humming, and then it said, “Sir, analysis indicates psychotic glaze over subiect’s eyes.”

The man grabbed a half-filled quart bottle of beer off the television set, smashed it against the leading edge of the TV, giving it a half-twist (which registered instantly in Polchik’s mind: this guy knew how to get a ragged edge on the weapon; he was an experienced bar-room brawler) and suddenly lurched toward Polchik with the jagged stump in his hand.

Abruptly, before Polchik could even thumb the needler to stun (it was on dismember), a metal blur passed him, swept into the man, lifted him high in the air with one hand, turned him upside-down so the bottle, small plastic change and an unzipped shoe showered down onto the threadbare rug. Arms and legs fluttered helplessly.

“Aieeee!” the man screamed, his hair hanging down, his face plugged red with blood. “Madre de dios!”

“Leave him alone!” It was the wife screaming, charging—if it could be called that, on hands and knees—from behind the sofa. She clambered to her feet and ran at the robot, screeching and cursing. pounding her daywork-reddened fists against his gleaming hide.

“Okay, okay,” Polchik said, his voice lower but strong enough to get through to her. Pulling her and her hysteria away from the robot, he ordered, “Brillo, put him down.”

“You goddam cops got no right bustin’ in here,” the man started complaining the moment he was on his feet again. “Goddam cops don’t let a man’n his wife alone for nothin’ no more. You got a warrant? Huh? You gonna get in trouble, plently trouble. This my home, cop, ‘home is a man’s castle,’ hah? Right? Right? An’ you an’ this tin can…” He was waving his arms wildly.

Brillo wheeled a few inches toward the man. The stream of abuse cut off instantly, the man’s face went pale, and he threw up his hands to protect himself.