becoming so much more than this

I’d developed the bad habit of masking any semblance of a plot in fancy metaphors.

I exhaled when I first saw Judith Command, and I don’t know if I’ve ever again inhaled. How could I have written it so? It shocks and amazes, the fundamental mistakes a sleeping mind can translate into truth. A feeling of falling, the distracting and disturbing euphoria that accompanies a mind’s incapability to name or place or begin to understand.

West walked me down the metallish corridors, introduced me to a fraction of the war machine of Command, the harvested systems powering its core, the fields and valleys of gods, the endless possibilities, each a complete specimen of a particular Judith. I saw the walls lined with host bodies, the breeders whose only purpose was to bear variants of the only god we had left. I watched the moment of cycle completion: bodies raised from nutrient baths, abdomens flayed by light, the wailing cargo removed by gentle silver strands, scanned, plunged immediately into their own variant chambers, their wails choked off by the thick biological slurry as the breeder process began again.

Promising variants were taken from the chamber and grown to adulthood in personalized heavens.

Is that too much? I could tell you of the host debris, the gaping caverns of fetid birth chambers, the bodies swept forcefully from the breeder rooms into waste tunnels, trails of blood and amniotic fluid still slurping from the wounds of Purpose, intestines reaching like fingers toward sex-less daughters. Judith was a beautiful woman, but multiplied by forevers, split apart with cutting beams, the infant cargo removed, her bodies became ugly beyond explanation, not the classic demure beauty that the original God host had been but a bastardization of female form, a violation of reproduction and natural life cycles.

It was disgusting, and I questioned which Purpose was truly the evil.