THE FIRST GROUP out was the two-year-old class. Five little girls in pink tights with sparkly itty-bitty tutus walked onstage holding hands in a line. The audience did a group “Awww.” They were almost illegally cute. The dance teacher was at the front of the stage, visible to the audience and the wide-eyed little girls.

The Dance of the Sugar Plum Fairy from Tchaikovsky’s Nutcracker filled the air. It was one of the few classical pieces I knew well enough to name. The teacher began to move her arms. Most of the tiny girls followed her, but one of them just stared off at the audience with huge, fear-filled eyes. Were the toddlers good? No. But at that age it’s not about being a prodigy, it’s about showing up and being too cute for words. I wasn’t much for babies, older was definitely better, but even I couldn’t deny they were nearly painfully adorable.

Micah began to rub his thumb over my hand. Jean-Claude was still against my other hand. The tots trooped off, holding hands again, to rousing applause, and then it was Matthew’s turn. I heard Monica tell J.J., “Usually they have to combine the two- and three-year-olds, but they had enough this year to have two classes.” Interesting, but my hearing it meant Monica was talking too loud. She had a certain desire to be noticed.

The little girls I’d seen earlier in their clown tutus came trooping out, with Matthew in the middle in his boy costume. They were holding hands just like the last group, and the dance instructor was at the bottom of the stage visible to the children and the audience. I wondered how old you’d have to be for the teacher to hide.