
But I’d never got a drugged-up or drunk Marilyn on the line-just that familiar, breathy female voice. The kind no healthy heterosexual male would respond to with, “Do you have any idea what time it is?”
What you say is, “Yeah, I remember you. I think maybe I saw one of your pictures,” or maybe, “I know you. I’m a detective, remember?”
And she would laugh and you’d talk till finally she started getting sleepy enough to sign off.
Brentwood had recovered from its disastrous fire of the previous November, once again a sleepy upper-middle-class community whose main drag was San Vicente Boulevard, its wide median home to sculpted coral trees. I wheeled the Jag onto Carmelina Avenue, a winding affair off of which were various greenery-swarmed cul-de-sacs. I was looking for Fifth Helena Drive, only Pat Newcomb warned me that it wasn’t marked-I had to count the cul-de-sacs, plus she described the houses on either corner.
Somehow I got it on the first try, though calling this short narrow strip a cul-de-sac was rather grand-I knew an alley when I saw one. At the mouth, on either side, were the homes the publicist had described for me, and at the end of the alley were two more homes, a two-story to the right, and Marilyn’s to the left.
You couldn’t see much of Marilyn’s place, though-a whitewashed seven-foot brick wall smothered in blooming bougainvillea vines blocked everything but a glimpse of red barrel-tiled roof of what would prove to be the garage.
The Jag I left half on the grass in case some other vehicle needed the space, and stepped from air-conditioning into a pleasantly warm sunny Cal afternoon, kissed with a nice coastal ocean breeze from the west.
Hollywood royalty lived here, but I was informal-black-collared gray Ban-Lon sport shirt; beltless, cuffless H.I.S. gray slacks; black suede loafers-and I’d taken to going hatless. Our young president’s fault.
