and little sixteen–year–old Julius was on death`s call sheet.

One afternoon he tried to attain some sense of mastery by reading the melanoma

literature in the medical school library, but that proved futile. Worse than futile—it made

things more horrendous. As Julius apprehended the truly ghastly nature of his disease, he

began to think of melanoma as a voracious creature sinking ebony tendrils deep into his

flesh. How startling it was to realize that suddenly he was no longer the supreme life

form. Instead he was a host; he was nourishment, food for a fitter organism whose

gobbling cells divided at a dizzying pace, an organism that blitzkrieged and annexed

adjacent protoplasm and was now undoubtedly outfitting clusters of cells for cruises into

the bloodstream and colonization of distant organs, perhaps the sweet friable feeding

grounds of his liver or the spongy grassy meadows of his lungs.

Julius put aside the reading. Over a week had gone by, and it was time to move

past distraction. The hour had come to face what was really happening. Sit down, Julius,

he told himself. Sit down and meditate upon dying. He closed his eyes.

So death, he thought, has finally made its appearance on stage. But what a banal

entrance—the curtains jerked open by a roly–poly dermatologist with a cucumber nose,

magnifying glass in hand, and costumed in white hospital coat with his name stitched in

dark blue letters upon his upper breast pocket.

And the closing scene? Destined, most likely, to be equally banal. His costume

would be his wrinkled pinstriped New York Yankees night–shirt with DiMaggio`s

number 5 on the back. The stage set? The same queen–sized bed in which he had slept for

thirty years, crumpled clothes on the chair beside the bed and, upon his bedside table, a

stack of unread novels unaware that their time would now never come. A whim–pering,