Contents

Title Page

Dedication

Epigraph

Foreword

Part I

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Part II

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

About the Author

Also by Toni Morrison

Also by Toni Morrison

Acclaim for Toni Morrison’s

Copyright

Daddy

The fathers may soar

And the children may know their names

Foreword

I have long despised artists’ chatter about muses—“voices” that speak to them and enable a vision, the source of which they could not otherwise name. I thought of muses as inventions to protect one’s insight, to avoid questions like “Where do your ideas come from?” Or to escape inquiry into the fuzzy area between autobiography and fiction. I regarded the “mystery” of creativity as a shield erected by artists to avoid articulating, analyzing, or even knowing the details of their creative process—for fear it would fade away.

Writing Song of Solomon destroyed all that. I had no access to what I planned to write about until my father died. In the unmanageable sadness that followed, there was none of the sibling wrangling, guilt or missed opportunities, or fights for this or that memento. Each of his four children was convinced that he loved her or him best. He had sacrificed greatly for one, risking his house and his job; he took another to baseball games over whole summers where they lay in the grass listening to a portable radio, talking, evaluating the players on the field.



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