When it was over, and houses instead grew in the hills, those trees that had been spared dreamed of their comrades for years afterward and their nightmare mutterings annoyed the diamondbacks who left them for the new growth that came to life in spaces the sun saw for the first time. Then the rain changed and was no longer equal. Now it rained not just for an hour every day at the same time, but in seasons, abusing the river even more. Poor insulted, brokenhearted river. Poor demented stream. Now it sat in one place like a grandmother and became a swamp the Haitians called Sein de Vieilles. And witch’s tit it was: a shriveled fogbound oval seeping with a thick black substance that even mosquitoes could not live near.

But high above it were hills and vales so bountiful it made visitors tired to look at them: bougainvillea, avocado, poinsettia, lime, banana, coconut and the last of the rain forest’s champion trees. Of the houses built there, the oldest and most impressive was L’Arbe de la Croix. It had been designed by a brilliant Mexican architect, but the Haitian laborers had no union and therefore could not distinguish between craft and art, so while the panes did not fit their sashes, the windowsills and door saddles were carved lovingly to perfection. They sometimes forgot or ignored the determination of water to flow downhill so the toilets and bidets could not always produce a uniformly strong swirl of water. But the eaves were so wide and deep that the windows could be left open even in a storm and no rain could enter the rooms—only wind, scents and torn-away leaves. The floor planks were tongue-in-groove, but the hand-kilned tiles from Mexico, though beautiful to behold, loosened at a touch. Yet the doors were plumb and their knobs, hinges and locks secure as turtles.