
with their garments constructed of leaves and cobwebs, vines, bark, and feathers, and their features unsettlingly not quite human. There was no sign of Paula, but she would still be at the scholars’ table.
There was a ripple of movement. A fanfare rang out and the crowd parted before an imposing figure clad in a gown that 20
seemed fashioned of iridescent gossamer. It was Ileana, the hostess of these celebrations and queen of the forest people, sweeping across Dancing Glade. Folk said every bird of the wildwood had given one feather to make up her crown, which rose from her head in an exuberant crest. Her golden-haired consort, Marin, was a step behind her. This grand entrance was a feature of every Full Moon’s revels. Walking behind the queen and her partner tonight was a group of folk I had never seen before.
“That’s them,” Anatolie hissed. “Sour-faced individuals, aren’t they?”
I did not think the Night People were sour-faced, just rather sad-looking. They were extremely pale, their skin almost waxen in appearance, their eyes deep set, dark, and intense. All were clad in jet-black. The pair who led them was especially striking. The woman’s lips were narrow and bright crimson in color, whether by nature or artifice I could not tell. Her finger-nails had been dyed to match. Both she and the man had bony, aristocratic features: well-defined cheeks and jaws; jutting, arrogant noses; and dark, winged brows. They made a handsome couple—he in billowing shirt, tight trousers, and high boots, she in a formfitting gown whose plunging neckline left little to the imagination.
I spotted Tati, standing in the crowd close by Ileana, her dark hair shining under the colored lights of the glade.
