Barry Newman was a couch man from the first, and Henry has never once made the mistake of believing this has anything to do with Barry’s mental condition. The couch is simply more comfortable for Barry, although Henry sometimes has to give him a hand to get Barry up from it when his fifty minutes have expired. Barry Newman stands five-seven and weighs four hundred and twenty pounds. This makes the couch his friend.

Barry Newman’s sessions tend to be long, droning accounts of each week’s adventures in gastronomy. Not that Barry is a discriminating eater, oh, no, Barry is the antithesis of that. Barry eats anything that happens to stray into his orbit. Barry is an eating machine. And his memory, on this subject, at least, is eidetic. He is to food what Henry’s old friend Pete is to directions and geography.

Henry has almost given up trying to drag Barry away from the trees and make him examine the forest. Partly this is because of Barry’s soft but implacable desire to discuss food in its specifics; partly it’s because Henry doesn’t like Barry and never has. Barry’s parents are dead. Dad went when Barry was sixteen, Morn when he was twenty-two. They left a very large estate, but it is in trust until Barry is thirty. He can get the principal then… if he continues in therapy. If not, the principal will remain in trust until he is fifty.

Henry doubts Barry Newman will make fifty.

Barry’s blood pressure (he has told Henry this with some pride) is one-ninety over one-forty.

Barry’s whole cholesterol number is two hundred and ninety; he is a lipid goldmine.

I’m a walking stroke, I’m a walking heart attack, he has told Henry, speaking with the gleeful solemnity of one who can state the hard, cold truth because he knows in his soul that such ends are not meant for him, not for him, no, not for him.