
The only sounds in the carryout were that of the fan and the barely intelligible music coming from Kim’s radio, the dial of which was set on WOL. I thought of work, my reprimand, and my indifference to the subject. No one spoke to me.
I guess that was the day everything began to come apart. The day of my reprimand. The day the old man phoned me about the boy.
A rock gets pushed at the top of a hill, and it begins to roll, and then it doesn’t matter who did the pushing. What matters is that nothing can stop it. What matters is the damage done. So how it started, I suppose, is insignificant. Because what sticks now is how it ended: with the sudden blast and smoke of automatic weapons, and the low manic moan of those who were about to die.
Earlier in the day, the name “Ric Brandon” had printed out across the screen of my desk phone, indicating an interoffice call. I had sipped my coffee and let the phone ring several times until the process reversed itself. His name disappeared letter by letter, from right to left. The call was then forwarded up to Marsha, our receptionist. Presently my phone rang again. It was Marsha.
“Nicky?” she said.
“Yes?”
“Ric Brandon’s looking for you,” she said tiredly. “He’d like to see you in his office as soon as you have a minute.” Her words hung in the receiver apologetically.
“Thanks, Marsha.” I picked up my coffee and headed for the john. The sound of printers, typewriters, and distaff voices swirled around me as I stepped down the hall. Passing Marsha’s desk, I smiled and tapped the “Elvis Country” plaque that she had proudly set next to the switchboard.
I pushed open the door to the men’s room and moved to the sink to wash up. In the mirror I saw the scuffed-up heel boxes on a pair of wing tips beneath the stall door. They belonged to Seaton, the controller. His trousers were around his ankles as he stood urinating into the toilet. I splashed some water on my face and looked in the mirror: I was thirty years old, and had drunk several beers backed with bourbon the night before.
