"Call the police," Kate said.

"I—"

"Anything else on your mind?" Kate said. "Now that you've interrupted my dinner and the dinner of everyone who's over here tonight?"

"Could I come over?" he said; loneliness crept through him and edged his question with the fear which Kate had always detected: the fear that she would retract into her implacable chesspiece fort, the fort of her own mind and body out of which she ventured to inflict a wound, or two, and then disappear back in, leaving an expressionless mask to greet him. And, by means of that mask, she used his own failings to injure him.

"No," Kate said.

"Why not?"

"Because you have nothing to offer anyone in the way of talk or discussion or ideas. As you've said many times, your talent is in your hands. Or did you intend to come over and break one of my cups, my Royal Albert cups with the blue glaze, and then heal it? As a sort of magical incantation designed to throw everyone into fits of laughter."

Joe said, "I can contribute verbally."

"Give me an example."

"What?" he said, staring at her face on the screen of the phone.

"Say something profound."

"You mean right now?"

Kate nodded.

"Beethoven's music is firmly rooted in reality. That's what makes him unique. On the other hand, genius as he was, Mozart—"

"Shove it," Kate said and hung up; the screen went blank. I shouldn't have asked if I could come over, Joe realized with acute misery. It gave her that opening, that foot-in-thepsychic-door that she uses, that she preys on. Christ, he thought. Why did I ask? He got up and wandered drearily about his room; his motion became more and more aimless until at last he stopped and simply stood. I have to think about what really matters, he told himself. Not that she hung up or said anything nasty, but whether or not that note I got in the mail today means anything. Pornographic pots, he said to himself. She's probably right. And it's illegal to heal a pornographic pot, so there goes that.



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