There were still tourists parked in the premium town square parking spots. This time of year, Sarne's visitors were middle-aged to old white people, with rubber-soled shoes and windbreakers. They walked slowly and carefully, and curbs required negotiation. They tended to drive exactly the same way.

We had to navigate around the square twice before I could get in the correct lane to go east to the motel. I had a feeling that all roads in Sarne led to the square. The stores on the square and those immediately off of it were the dressed-up part of the town, the part primed for public consumption. Even the streetlights were picturesque—curving lines of metal painted a dull green and decorated with curlicues and leaves. The sidewalks were smooth and wheelchair accessible, and there were plenty of garbage bins carefully disguised to look like cute little houses. All the storefronts on the square had been remodeled to coordinate, and they all had wooden facades with "old-timey" signs in antique lettering: Aunt Hattie's Ice Cream Parlor, Jeb's Sit-a-Spell, Jn. Banks Dry Goods and General Store, Ozark Annie's Candy. There was a heavy wooden bench outside each one. Through the bright store windows, I caught a glimpse of one or two of the shopkeepers; they were all in costume, wearing turn-of-the-century clothing.

It was past five o'clock when we finally left the square. In late October, on an overcast day, the sky was almost completely dark.

Sarne was an ugly place once you left the tourist-oriented area centered around the courthouse. Businesses like Mountain Karl's Kountry Krafts gave way to more pedestrian necessities, like First National Bank and Reynolds Appliances. The further away I drove from the square on these side streets, the more frequently I noticed occasional empty storefronts, one or two with shattered windows. The traffic was nearly nonexistent. This was the private part of Sarne, for locals.



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