The cabin, small though it was, housed a prodigious stink. The first thing the nostrils noticed was the sooty, stuffy smell of the lamp, but they immediately became aware of a whole gamut of supplementary odours. There was the flat bilge smell, tolerable, in fact almost unnoticed by Hornblower, who had smelt bilge for twenty years. There was a penetrating smell of cheese, and as if to set that off there was a perceptible smell of rats. There was a smell of wet clothing, and finally there was a mixture of human odours, the long-confined body-odour of unwashed men predominating.
And all this mixture of smells was balanced by a battery of noises. Every timber resonated the shrieking of the rigging; to be inside the cabin was to be like a mouse inside a violin while it was being played. Overhead the continual footfalls on the quarter-deck and the clatter of ropes being thrown down made it seem—to continue the analogy—as if someone else were tapping the body of the violin at the same time with small mallets. The wooden sheathing of the brig creaked and crackled with the vessel’s motion in the water like a giant’s knuckles rapping on the exterior; and the shot in the racks rolled just a trifle with each movement, too, thumping solemnly and unexpectedly just at the end of the roll as they fetched up.
Hornblower had hardly entered his cabin when the Porta Coeli suddenly heeled over unexpectedly far; apparently as she was just emerging into the open Channel the full force of the westerly breeze caught her and laid her.