John Grinder

and

Richard Bandler


I. Introduction

When a magician in top hat and cape calls for his beautiful assistant to lead an enormous elephant to center stage, we lean back in our chairs and prepare to enjoy the illusion. "Presto!" he shouts, and the giant Jumbo disappears, right on schedule. We smile to ourselves, knowing the "magic" was performed with mirrors, but feeling good just the same in deliberately allowing our perceptions to be fooled by a highly skilled entertainer. Were we to step onstage with the magician and his assistant, we would be entering another world — a world in which the mirrors themselves were visible and the elephant so near that we'd hear its breathing and feel the stage moving slightly as Jumbo shifted from foot to foot. There is something slightly disconcerting about being near the "source" of an illusion, but once we learn precisely how the "elephant disappearing act" is done, our enjoyment is enhanced rather than diminished — we learn to watch for and enjoy the skill with which the magician performs as well as retaining the option of taking pleasure in the illusion itself. We may begin to understand that the ability to make such distinctions is a very special and unique resource, one that extends far beyond the world of stages, mirrors and magicians in its significance.

Neurolinguistic programming is a model about the special world of magic and illusion of human behavior and communication — the study of the components of perception and behavior which makes our experience possible. The name neurolinguistic programming stands for what we maintain to be the basic process used by all human beings to encode, transfer, guide, and modify behavior.



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