The next day he was able to get up and hobble to the broken-armed chair. He sat for a while looking out the window.

The room looked out from the second floor over the gardens of Yaramera, terraced slopes and flowerbeds, walks, lawns, and a series of ornamental lakes and pools that descended gradually to the river: a vast pattern of curves and planes, plants and paths, earth and still water, embraced by the broad living curve of the river. All the plots and walks and terraces formed a soft geometry centered very subtly on an enormous tree down at the riverside. It must have been a great tree when the garden was laid out four hundred years ago. It stood above and well back from the bank, but its branches reached far out over the water, and a village could have been built in its shade. The grass of the terraces had dried to soft gold. The river and the lakes and pools were all the misty blue of the summer sky. The flowerbeds and shrubberies were untended, overgrown, but not yet gone wild. The gardens of Yaramera were utterly beautiful in their desolation. Desolate, forlorn, forsaken, all such romantic words befitted them, yet they were also rational and noble, full of peace. They had been built by the labor slaves. Their dignity and peace were founded on cruelty, misery, pain. Esdan was Hainish, from a very old people, people who had built and destroyed Yaramera a thousand times. His mind contained the beauty and the terrible grief of the place, assured that the existence of one cannot justify the other, the destruction of one cannot destroy the other. He was aware of both, only aware.

And aware also, sitting in some comfort of body at last, that the lovely sorrowful terraces of Yaramera might contain within them the terraces of Darranda on Hain, roof below red roof, garden below green garden, dropping steep down to the shining harbor, the promenades and piers and sailboats.