Three antiaircraft rockets from the Achaean encampment to the south roar skyward in search of the retreating god-chariot. Helen catches a glimpse of that retreating chariot—a brief gleaming as bright as the morning star, pursued now by the exhaust trails from the Greek rockets. Without warning, the shining speck quantum shifts out of sight, leaving the morning sky empty. Flee back to besieged Olympos, you cowards, thinks Helen of Troy.


The all-clear sirens begin to whine. The street below Helen’s apartments in Paris’s estate so near Priam’s battered palace are suddenly filled with running men, bucket brigades rushing to the northwest where smoke still rises into the winter air. Moravec flying machines hum over the rooftops, looking like nothing so much as chitinous black hornets with their barbed landing gear and swiveling projectors. Some, she knows from experience and from Hockenberry’s late-night rants, will fly what he calls air cover, too late to help, while others will aid in putting out the fire. Then Trojans and moravecs both will pull mangled bodies from the rubble for hours. Since Helen knows almost everyone in the city, she wonders numbly who will be in the ranks of those sent down to sunless Hades so early this morning.

The morning of Paris’s funeral. My beloved. My foolish and betrayed beloved.

Helen hears her servants beginning to stir. The oldest of the servants—the old woman Aithra, formerly queen of Athens and mother to royal Theseus until carried away by Helen’s brothers in revenge for the kidnapping of their sister—is standing in the doorway to Helen’s bedchamber.

“Shall I have the girls draw your bath, my lady?” asks Aithra.

Helen nods. She watches the skies brighten a moment more—sees the smoke to the northwest thicken and then lessen as the fire brigades and moravec fire engines bring it under control, watches another moment as the rockvec battle hornets continue to fling themselves eastward in hopeless pursuit of the already quantum-teleported chariot—and then Helen of Troy turns to go inside, her bare feet whispering on the cold marble.



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