One further advantage of a stage-from the company's point of view-was that they could sell a few seats right up on the edge of it, and charge more for those than for any others in the house. The men and women who rose from those seats to applaud showed more velvet and lace and threadwork of gold and silver than all the groundlings put together. Pearls and precious stones glittered in the women's hair. Gold gleamed on the men's belts, and on their scabbards, and on the hilts of their rapiers.

Despite those visible signs of wealth and power, the groundlings behind the rich folk weren't shy about making their views known. "Sit you down!" they shouted, and "We came to see the players, not your arses!" and "God sees through you, but we can't!"

One of the grandees half turned and set a beringed hand on the fancy hilt of his sword. A flying chunk of sausage smirched his orange doublet with grease. Safe in the anonymity of the crowd, another groundling threw something else, which flew past the nobleman and bounced halfway across the stage. The poor folk in their frowzy wool raised a cheer.

Just as a Spanish noble would have done, the Englishman purpled with fury. But the woman beside him, whose neckline was even more striking than her pile of blond curls, set a hand on his sleeve and said something in a low voice. His reply was anything but low, and thoroughly sulfurous. She spoke again, as if to say, What can you do? You can't kill them all. Grudgingly, he turned away from the groundlings, though his back still radiated fury. They jeered louder than ever.

After the last bow, the players went back into the tiring room behind the stage to change into their everyday clothes once more. Most of the crowd filed out through the narrow doorways by which they'd entered. Friends and sweethearts of the company pressed forward to join the actors backstage. So did the stagestruck: would-be actors, would-be writers, would-be friends and sweethearts.