Lord Vetinari looked at his fingernails. ‘But I understood that those men had settled down and were immensely rich and powerful,’ he said. ‘That's what heroes want, isn't it? To crush the thrones of the world beneath their sandalled feet, as the poet puts it?’

‘Yes, sir.’

‘So what's this? One last throw of the dice? Why?’

‘I can't understand it, sir. I mean… they had it all.’

‘Clearly,’ said the Patrician. ‘But everything wasn't enough, was it?’

There was argument in the anteroom beyond the Patrician's Oblong Office. Every few minutes a clerk slipped in through a side door and laid another pile of papers on the desk. Lord Vetinari stared at them. Possibly, he felt, the thing to do would be to wait until the pile of international advice and demands grew as tall as Cori Celesti, and simply climb to the top of it.

Zip, zing and can-do, he thought.

So, as a man full of get up and go must do, Lord Vetinari got up and went. He unlocked a secret door in the panelling and a moment later was gliding silently through the hidden corridors of his palace.

The dungeons of the palace held a number of felons imprisoned ‘at his lordship's pleasure’, and since Lord Vetinari was seldom very pleased they were generally in for the long haul. His destination now, though, was the strangest prisoner of all, who lived in the attic.

Leonard of Quirm had never committed a crime. He regarded his fellow man with benign interest. He was an artist and he was also the cleverest man alive, if you used the word ‘clever’ in a specialised and technical sense. But Lord Vetinari felt that the world was not yet ready for a man who designed unthinkable weapons of war as a happy hobby. The man was, in his heart and soul, andineverythinghedid, an artist.

Currently, Leonard was painting a picture of a lady, from a series of sketches he had pinned up by his easel.