
I concluded that Adso’s memoirs appropriately share the nature of the events he narrates: shrouded in many, shadowy mysteries, beginning with the identity of the author and ending with the abbey’s location, about which Adso is stubbornly, scrupulously silent. Conjecture allows us to designate a vague area between Pomposa and Conques, with reasonable likelihood that the community was somewhere along the central ridge of the Apennines, between Piedmont, Liguria, and France. As for the period in which the events described take place, we are at the end of November 1327; the date of the author’s writing, on the other hand, is uncertain. Inasmuch as he describes himself as a novice in 1327 and says he is close to death as he writes his memoirs, we can calculate roughly that the manuscript was written in the last or next-to-last decade of the fourteenth century.
On sober reflection, I find few reasons for publishing my Italian version of an obscure, neo-Gothic French version of a seventeenth-century Latin edition of a work written in Latin by a German monk toward the end of the fourteenth century.
First of all, what style should I employ? The temptation to follow Italian models of the period had to be rejected as totally unjustified: not only does Adso write in Latin, but it is also clear from the whole development of the text that his culture (or the culture of the abbey, which clearly influences him) dates back even further; it is manifestly a summation, over several centuries, of learning and stylistic quirks that can be linked with the late-medieval Latin tradition. Adso thinks and writes like a monk who has remained impervious to the revolution of the vernacular, still bound to the pages housed in the library he tells about, educated on patristic-scholastic texts; and his story (apart from the fourteenth-century references and events, which Adso reports with countless perplexities and always by hearsay) could have been written, as far as the language and the learned quotations go, in the twelfth or thirteenth century.
