Rain oozed down the gray stone of the building, seeping through the cracks in the masonry, puddling in the crevices in the paving. Tucked away in a corner, a stone angel wept over the round mouth of a well, raindrops dripping down her face like tears. The long windows were the same unforgiving gray as the stone.

After the bright, modern town houses of Mayfair, the great bulk of the seventeenth-century mansion looked archaic and more than a little threatening.

From very long ago, a whisper of memory presented itself, of the fairy stories so in vogue in the fashionable salons of her youth, of castles under curses, their ruined halls echoing to the fearsome tread of the ogre as a captive princess shivered in her tower.

Laura didn’t believe in fairy stories. Any ogres here would be of the human variety.

One ogre, to be precise. André Jaouen. Thirty-six years old. Formerly an avocat of Nantes. Now employed at the Préfecture de Paris under the ostensible supervision of Louis-Nicolas Dubois. Commonly known to be a protégé of Bonaparte’s Chief of Police, Joseph Fouché, to whom he bore a distant relation. It was his department through which any word of suspicious personages in Paris would come. It was his job to hunt down and secure these threats to the Republic.

Which meant that it was Laura’s job to get the information to the Pink Carnation before he could get to them.

They had dubbed her the Orchid—the Silver Orchid. The Carnation had chosen the name, with her usual perspicacity. It seemed appropriate, thought Laura, for the Carnation to have named her after a flower that drew its sustenance from others, dependent on more firmly rooted flora for its very existence.

Her mission was simple enough. She was to embed herself into the household of the assistant to the Prefect of Police. There, she was to keep an eye out for suspicious behavior and useful information, taking specific instructions from the Pink Carnation as directed.