Linda Frewe, whom Fleur at once introduced to Gurdon Minho, was one about whose work no two people in her drawing-room ever agreed. Her works ‘Trifles’ and ‘The Furious Don’ had quite divided all opinion. Genius according to some, drivel according to others, those books always roused an interesting debate whether a slight madness enhanced or diminished the value of art. She herself paid little attention to criticism—she produced.

“THE Mr. Minho? How interesting! I’ve never read anything of yours.”

Fleur gave a little gasp.

“What—don’t you know Mr. Minho’s cats? But they’re wonderful. Mr. Minho, I do want Mrs. Walter Nazing to know you. Amabel—Mr. Gurdon Minho.”

“Oh! Mr. Minho—how perfectly lovely! I’ve wanted to know you ever since my cradle.”

Fleur heard the novelist say quietly:

“I could wish it had been longer;” and passed on in doubt to greet Nesta Gorse and Sibley Swan, who came in, as if they lived together, quarrelling over L.S.D., Nesta upholding him because of his ‘panache’, Sibley maintaining that wit had died with the Restoration; this fellow was alive!

Michael followed with the Upshires and Aubrey Greene, whom he had encountered in the hall. The party was complete.

Fleur loved perfection, and that evening was something of a nightmare. Was it a success? Minho was so clearly the least brilliant person there; even Alison talked better. And yet he had such a fine skull. She did hope he would not go away early. Some one would be almost sure to say ‘Dug up!’ or ‘Thick and bald!’ before the door closed behind him. He was pathetically agreeable, as if trying to be liked, or, at least, not despised too much. And there must, of course, be more in him than met the sense of hearing. After the crab souffle he did seem to be talking to Alison, and all about youth. Fleur listened with one ear.