"All right," she said, forcing her voice to remain low and steady. "Then I'll talk. You don't have to say a thing. Just listen. Keep listening. My name is Catherine. Cathy Weaver. I live in San Francisco, the Richmond district. Do you know the city?" There was no answer, but she sensed some movement in his head, a silent acknowledgement of her words. "Okay," she went on, mindlessly filling the silence. "Maybe you don't know the city. It really doesn't matter. I work with an independent film company. Actually, it's Jack's company. My ex-husband. We make horror films. Grade B, really, but they turn a profit. Our last one was Reptilian. I did the special-effects makeup. Really gruesome stuff. Lots of green scales and slime..." She laughed—it was a strange, panicked sound. It had an unmistakable note of hysteria.

She had to fight to regain control.

A wink of light made her glance up sharply at the rearview mirror. A pair of headlights was barely discernible through the rain. For a few seconds she watched them, debating whether to say anything to Victor. Then, like phantoms, the lights flickered off and vanished.

"Victor?" she called softly. He responded with an unintelligible grunt, but it was all she needed to be reassured that he was still alive. That he was listening. I've got to keep him awake, she thought, her mind scrambling for some new topic of conversation. She'd never been good at the glib sort of chitchat so highly valued at filmmakers' cocktail parties. What she needed was a joke, however stupid, as long as it was vaguely funny. Laughter heals. Hadn't she read it somewhere? That a steady barrage of comedy could shrink tumors? Oh sure, she chided herself. Just make him laugh and the bleeding will miraculously stop....