He stood there, looking across at it, imagining its past, and searching for a key to its owners. What he felt was… sadness? No, that wasn’t it, it was a stronger emotion, something about the place that tugged at him.

Hamish, on the other hand, didn’t find it to his liking. “There’s too many dead here,” he said uneasily. “And they don’t lie quietly in their graves!”

Rutledge chuckled. “I’d haunt the estate too, if it’d been mine. I wouldn’t go peacefully to the churchyard in the town. Not with that view.”

For beyond the headland he could see the sea, already in the clear and gleaming in the morning light, whitecaps dancing in the sun. There seemed to be a small strand where the land ran down to the sea. Then, turning to his right, he could see the distant roofs of Borcombe.

Damned if the old crone hadn’t sent him the longest way around! You could walk from the last house he could see in the village into a copse of trees, and out of them into Tre-velyan land, in what? Ten minutes? Say, fifteen all the way to the house.

He unlocked the door with the key that Dawlish had given him and stepped into the wide front hall, where the curving staircase swept down from a gallery above. The hall itself was old, with a massive stone hearth at one side, and great oak beams that were black with age and smoke encompassing the hall and the long gallery that ran at the top of the stairs.

It was here then that Stephen FitzHugh must have fallen to his death. Rutledge walked to the stairs and began to examine them carefully, the uneven treads, the dark oak of the banisters, the ornately carved balustrade.



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