‘Is he fuck,’ I sigh.

I stare out the open window at Black Leeds, Sunday 29 May 1977.

‘You think no-one knows about you and that slag?’ says Ellis suddenly. ‘Everyone knows. Fucking embarrassing, it is.’

I don’t know what to say to him. I don’t care if he knows or not, don’t care who knows, but I don’t want Louise to know and now I can’t keep little Bobby’s face out of my mind.

I turn and say, ‘Tonight’s not the night. Save it for later.’

For once he takes my advice and I go back to the window, him to the road, steeling ourselves.

Millgarth Police Station.

Ten o’clock going on the Middle Ages.

Live from my own Dark Ages:

Down the stairs into the dungeons, keys and locks turning, chains and cuffs rattling, dogs and men barking.

Let the Witch Trials begin:

DI Rudkin’s in his shirtsleeves and crop at the end of the white heat/white light corridor.

‘Good of you to join us,’ he smirks.

Ellis, pinched face and itching palms, nods in apology.

‘Bob Craven all right, is he?’

‘Yeah, cuts and bruises,’ gabbles Ellis.

I say, ‘Got anything?’

‘Full house tonight.’

‘Anything concrete?’

‘Maybe,’ he winks. ‘And you?’

‘Same as before: the Irish, the taxi driver, and Mr Dave Cortina.’

‘Right then,’ says Rudkin. ‘In here.’

He opens a cell door and it’s, aw fuck.

‘One of yours yeah, Bob?’

‘Yeah,’ I mouth, stomach gone.

They’ve got Kenny D, Spencer Boy, in his cheap checked underpants bent back over the table in the Black Christ Hold: head and back pinned down against the wood, arms outstretched, feet splayed, cock’n’balls open to the world.

Rudkin shuts the door.

The whites of Kenny’s eyes are on their stalks, straining to see who’s come into his upside-down hell.

He sees me and takes it in: five white coppers and him: Rudkin, Ellis, and me, plus the two uniforms holding him down.