“Probably you will,” she said. “Mom and Liza Burack aren’t exactly close, but they move in all the same circles. High-minded, you know: church committees, temperance league. Translation: busybodies.” She winked and turned away, flipping her long dark hair out of her eyes. Travis gazed at her a moment before directing his attention to the dime western and the hamburger.

The hamburger was satisfying, the magazine less so. He was an attentive reader, but today the heroes seemed too operatic, the violence perversely too affecting. Six-guns blazed, blood poured, justice (except in the “continued” serial) triumphed. But he could not help thinking of his mother and of the ugliness of her death and his impotent rage at it, so after a while he put down his thirty cents on the shiny Formica and left.

Haute Montagne was French for “high mountain,” his mother had told him, but whatever Frenchman named the place must have been drunk or blind. His aunt’s house, 120 DeVille, stood on the highest plot of land in town, where the prairie rose in a kind of swell for thirty or forty feet before sloping away to the bank of the Fresnel River and the railway bed. The house itself was old but had once been fine: two stories plus a small garret with oculus windows overlooking the town, but the wooden siding was textured with paint curls and the weather had got into the dormers. Yellow curtains were drawn against the sunlight.

Travis had not been there since he was six years old.

He knocked three times on the rim of the screen door and then Aunt Liza answered.

Liza was his mother’s older sister, in her middle fifties now, respectable in a print sack dress, and she opened the door and looked at Travis with a mixture of pity and suspicion that he recognized instantly over the gulf of years. She had aged some. There were lines in her high pale forehead; she wore a pair of silver-rimmed glasses with a bifocal half. Her figure was undefined, rounded. But she was unmistakably Liza Burack. “Well, Travis,” she said. “Well, come on in.”