His own reluctance to cross that threshold was surprisingly strong. But he shouldered his bag through the door and into the ticking silence.

Persian rugs. Mantle clocks.

In the whitewashed kitchen, an electric fan purred.

“Creath,” Liza said, “Travis is here.”

Creath Burack was the man Liza had married (“A steady man,” she always told Travis’s mother; he operated the Haute Montagne ice plant): immobile in an armchair, overalls riding up his big belly, hair thin, he stood up just long enough to shake Travis’s hand. His grip was huge, painful.

“You start work tomorrow,” Creath Burack said.

Travis nodded. Liza said, “Well, you probably want to see your room.”

She led him up a flight of carpeted stairs to a room with naked floorboards and whitewashed walls, empty but for a narrow brass bed and a pine dresser. Travis raised a yellowing sash and was able to see an arc of the river, the railway trestle, the horizon like a line drawn against the sky.

Something moved, lightly, in the attic room above him.

He looked at Liza. She avoided his eyes. “We have another roomer up there,” she said, “but you wouldn’t know about that. You’ll meet her at supper, I suppose.”

“Yes, ma’am,” Travis said.

She stood in the doorway and her eyes hardened.

“Travis, I want you to know there was never any question of whether you should come here or not.” “No, ma’am.”

“Oh, Creath might have raised a word or two. But he just likes his privacy. No, blood is thicker, I told him. Soon as I heard about your mama’s tragedy I said, well, we’ll take in Trav, and maybe you can get him a place down at the iceworks. I don’t guess it was your fault what happened to Mary-Jane. Her own fault … if any, if any.” This last because of the look Travis had given her. “But I want you to know. This is not the kind of household you might be accustomed to. We have standards of conduct. And Creath, he doesn’t like a lot of noise. Best you keep quiet around him, Travis, you understand? And not ask too many questions.”