"You have fifty thousand in cash?"

"I said under fifty."

"I hear a mistake being made," said Jay.

Cindy looked at him in surprise. "You mean the house isn't sound?"

"Sound as a dollar," said Jay. "Or a yen, or whatever. I just don't think he's going to make back what he's putting into it. Not in this neighborhood, not this year."

"If he's putting in less than fifty thousand—"

"But he's putting in twice that by the time he's done," said Jay. "Plus a year of a highly skilled carpenter's time. Call it a hundred and fifty thousand dollars. And I'll bet nothing in this neighborhood sells for more than a hundred."

Cindy smiled her killer smile at Jay. He was out of his expertise now and into hers, and she was going to enjoy showing off a little. "Actually, most things around here have lately been going in the one-ten to one-twenty range. And part of what's keeping them that low is this house—runs down the whole neighborhood. Besides which, this house is something special. Look around. The house next door is the carriagehouse to this one, for heaven's sake—and it's the second-nicest house on the street. So when this one comes on the market, it'll sell for at least thirty above the rest of the neighborhood. If you find the right buyer."

"Which is where you come in, no doubt," said Jay. His cynicism infuriated her.

"Yes, Jay, that's where I come in. Because I am to real estate what you are to engineering, except that I can do it without making little dirty references to members of the opposite sex. So when it's time to sell this house, I won't even offer it to anyone looking for a bargain. I'll offer it to someone looking for a jewel and willing to pay top dollar for it. And if Mr. Lark is as good as you seem to think he is, I'll bet you right now that the selling price for this house is within five thousand dollars of two hundred thou."